Perched with hillside on left bank of the Dordogne, Castelnaud dominates the small borough coiled with its feet. Its former owners, vassal of kings of England, opposed a long time to their neighbors, the lords de Beynac, faithful to kings de France. If the protagonists of these remote quarrels have all disappeared, the two fortresses always continue their immutable face to face, like a mineral challenge with the lapse of memory and the ravages of time.

History

English Castelnaud After the Treaty of Paris, signed in 1259 by Saint Louis and Henry III, which put an end to the dispute between the Capetians and the Plantagenets, the Perigord was restored to the English. Castelnaud thus fell under English rule. In 1273 the castle reverted back to the legitimate feudal line, that of the Castelnauds, who gave tribute to the Count of Perigord, vassal of the king of France.The power of a FortressFor Castelnaud, the end of the 13th century heralded in a period of prosperity and relative calm. The castle established itself as one of the principle powers of the Perigord. The barons of Beynac during this epoch were semi-permanently in conflict with the lords of Castelnaud. Continuously the two rival houses contested control of the region, trailing after them a section of the Perigord nobility divided by the two camps. The two castles watched and spied on each other. Never, however, did an open battle occur. In 1317 the Pope himself intervened to prevent the worst from happening; Jean XXII authorized a marriage between the two families to try and put an end to the endemic conflict. This context of private feud, so common in the Middle Ages, was soon relegated to a position of secondary importance: in 1337 the Hundred Years’ War broke out.

The Hundred Years’ War
 
The first few decades of the war were favorable to the English. In 1346 at Crecy, the cream of French nobility was decimated by English archers. In 1356, King John the Good was taken prisoner at Poitiers. The Treaty of Bretigny-Calais freed the king but ceded Aquitaine to the English, which was from then on ruled by the formidable Black Prince.In 1368, Magne de Castelnaud, sole heiress of Castelnaud, married Nompar de Caumont. This was a major event for Castelnaud, as the Caumonts would subsequently continue to be proprietors of the castle until the Revolution. During the War, the Caumonts were often in the English camp. Henry IV, King of England, named Nompar de Caumont his seneschal for Agen. 

State of SiegeIn 1442, tired of the English hold on Castelnaud, the King of France ordered the town put under siege. The siege lasted three weeks. The English commander ended it by giving the keys to the castle and 400 crowns for his life. Thus the English were finally driven from Castelnaud. They left French soil after the battle of Castillon (1452) which marked the end of the Hundred Year’s War.

Pleasure Residence After a century black with wars, epidemics and hardships, a great period of prosperity unfolded for Castelnaud.
The castle’s reconstruction was begun by Brandelis de Caumont and followed by his son François and his grandson Charles. The old 13th century fortress took on a look that conformed more to the style of the times. François de Caumont, besides enlarging Castelnaud, built a pleasant Renaissance-style manor not far from Castelnaud: Milandes Castle.
Castelnaud, which no longer had a strategic purpose, became a pleasure residence. It was fortified because of its prestigious function as the center of power of the domain.
The imposing artillery tower, built around 1520, had no function other than that of a symbol of power.

The Huguenot Captain

A new chapter in the history of Castelnaud opened with the Huguenot Captain Geoffroy de Vivans. Soldier, companion of the future Henry IV, his life was punctuated by audacious actions which earned him a great reputation in the country. Geoffroy the warrior was feared throughout the Perigord, a reputation which assured that Castelnaud was never disturbed during the Wars of Religion.Ruins and renaissanceBetween the exploits of Captain Vivans and the 20th century, the castle did not live through any other remarkable events. The Caumont lords preferred Milandes first, then their castle of the Force near Bergerac. The condition of Castelnaud continued to deteriorate until it was completely abandoned. After the Revolution the deterioration accelerated. Soon the castle served as no more than a stone quarry.1969 / 1998 : The Renaissance of CastelnaudIn 1966, Castelnaud Castle was classed as an Historic Monument. Since then, it has undergone two periods of extensive restoration: between 1974-1980 and from 1996-1998. Certain parts of the castle which had collapsed were reconstructed, other parts were only consolidated due to the lack of information regarding their original state.

Our recommended accommodation to visit Castelnaud:
B&B Ferme de Tayac. Lovely B&B in a 12th Century former farmhouse / monastery situated ideally in the hart of the Vezere Valley and just 15 minutes from Castelnaud
http://www.fermedetayac.com/

HISTORY
The cave was discovered on 12 September 1940 by four teenagers, Marcel Ravidat, Jacques Marsal, Georges Agnel, and Simon Coencas, as well as Ravidat’s dog, Robot. Public access was made easier after World War II. By 1955, the carbon dioxide produced by 1,200 visitors per day had visibly damaged the paintings. The cave was closed to the public in 1963 in order to preserve the art. After the cave was closed, the paintings were restored to their original state, and are now monitored on a daily basis. Rooms in the cave include The Great Hall of the Bulls, the Lateral Passage, the Shaft of the Dead Man, the Chamber of Engravings, the Painted Gallery, and the Chamber of Felines.

Lascaux II, a replica of two of the cave halls – the Great Hall of the Bulls and the Painted Gallery – was opened in 1983. Reproductions of other Lascaux artwork can be seen at the Centre of Prehistoric Art at Le Thot, France.

THE IMAGES

The cave contains nearly 2,000 figures. Many are too faint to discern, while others have deteriorated. Over 900 can be identified as animals, and 605 of these have been precisely identified. There are also many geometric figures. Of the animals, horses predominate, with 364 images. There are 90 paintings of stags. Also represented are cattle and bison, each representing 4-5% of the images. A smattering of other images include seven felines, a bird, a bear, a rhinoceros, and a human. Among the most famous images are four huge, black bulls in the Hall of the Bulls. There are no images of reindeer, even though that was the principal source of food for the artists.[1]

The four black bulls are the dominant figures among the 36 animals represented in the Hall of the Bulls. One of the bulls is 17 feet long — the largest animal discovered so far in cave art. The bulls appear to be in motion.[2] The most famous section of this cave is the great hall of the bulls, where there are bulls, horses, and stags.

A painting referred to as “The Crossed Bison” and found in the chamber called the Nave is often held as an example of the skill of the Paleolithic cave painters. The crossed hind legs show the ability to use perspective in a manner that wasn’t seen again until the 15th century.

Of the non-figurative images, one researcher has speculated that the painted dots are maps of the night sky, since the patterns correlate with various constellations.

Our recommended accommodation near Lascaux:

B&B Ferme de Tayac. Lovely B&B in a 12th Century former farmhouse / monastery situated ideally in the hart of the Vezere Valley and just 30 minutes from Lascaux http://www.fermedetayac.com/

The Grotte de Font-de-Gaume is famous for its cave paintings from the Magdalénien period. It is entrance is 20 m above the valley floor of the Beune valley, at the lower edege of a huge limestone rock.

There are many polychrome paintings and some engravings. The 240 figures show 80 bisons, which are the dominant motive. Most other pictures are also animals, 40 mammoths, 23 horses, 17 reindeers and deer, eight primitive cow, four goats, a wolf, a bear, and two rhinoceroses. More interesting, but less frequent, are four hand outlines and 19 geometric figures.

   

Lascaux is a complex of caves in southwestern France famous for its cave paintings. The original caves are located near the village of Montignac, in the Dordogne département. They contain some of the most well-known (Upper Paleolithic) art, dating back to somewhere between 15,000 and 13,000 BC. They consist mostly of realistic images of large animals, including aurochs, most of which are known from fossil evidence to have lived in the area at the time. They were added to UNESCO World Heritage Sites list in 1979.

The cave was discovered on 12 September 1940 by four teenagers, Marcel Ravidat, Jacques Marsal, Georges Agnel, and Simon Coencas. Public access was made easier after World War II. By 1955, the carbon dioxide produced by 1,200 visitors per day had visibly damaged the paintings. The cave was closed to the public in 1963 in order to preserve the art. After the cave was closed, the paintings were restored to their original state, and are now monitored on a daily basis. Rooms in the cave include The Great Hall of the Bulls, the Lateral Passage, the Shaft of the Dead Man, the Chamber of Engravings, the Painted Gallery, and the Chamber of Felines.

Lascaux II, a replica of two of the cave halls – the Great Hall of the Bulls and the Painted Gallery – was opened in 1983. Reproductions of other Lascaux artwork can be seen at the Centre of Prehistoric Art at Le Thot, France.

The cave contains nearly 2,000 figures. Many are too faint to discern, while others have deteriorated. Over 900 can be identified as animals, and 605 of these have been precisely identified. There are also many geometric figures. Of the animals, horses predominate, with 364 images. There are 90 paintings of stags. Also represented are cattle and bison, each representing 4-5% of the images. A smattering of other images include seven felines, a bird, a bear, a rhinoceros, and a human. Among the most famous images are four huge, black bulls in the Hall of the Bulls. There are no images of reindeer, even though that was the principal source of food for the artists.

The four black bulls are the dominant figures among the 36 animals represented in the Hall of the Bulls. One of the bulls is 17 feet long — the largest animal discovered so far in cave art. The bulls appear to be in motion.

A painting referred to as “The Crossed Bison” and found in the chamber called the Nave is often held as an example of the skill of the paleolithic cave painters. The crossed hind legs show the ability to use perspective in a manner that wasn’t seen again until the 15th century.

Of the non-figurative images, one researcher has speculated that the painted dots are maps of the night sky, since the patterns correlate with various constellations